Refurbished: Alpha 7 IV full-frame hybrid camera with Sony 28-70 mm F3.5-5.6 Kit Lens
ILCE7M4KB.CEC.A
WAS £2,499.00 £1,849.00
Out of stock

Refurbished: Alpha 7 IV full-frame hybrid camera with Sony 28-70 mm F3.5-5.6 Kit Lens

The a7 IV is the ideal hybrid, providing breathtaking still and movie imagery for today's creators.

ILCE7M4KB.CEC.A

Refurbished With groundbreaking performance in both still and movie recording, the a7 IV is the ideal hybrid, providing breathtaking imagery along with connectivity for on-the-spot delivery and distribution. The a7 IV is a camera designed to bring to life the artistic visions of todays creators.

  • 33.0-megapixel* full-frame back-illuminated Exmor R™ CMOS image sensor (*Approximate, effective.)
  • 33.0-megapixel full-frame back-illuminated Exmor R™ CMOS image sensor
  • BIONZ XR™, plus still and movie features inherited from our flagship models
  • BIONZ XR™, plus still and movie features inherited from our flagship models
  • On-the-spot streaming and sharing of high-quality content
  • On-the-spot streaming and sharing of high-quality content
  • VIDEO CONTENT CREATION AT ITS BEST : Record your content in 4K glory at up to 60p with full pixel readout and no binning for the best quality. For seasoned filmmakers, the Alpha 7 IV can record in 4:2:2 10 bits and includes S-CINETONE/S-LOG 3 picture profiles for a cinematic look and ease of editing. Paired with blazing fast Real-time autofocus technology, track your subject's eye in motion with ease - it works for humans, animals, and birds. The Alpha 7 IV also includes unique video tools such as breathing compensation, a digital audio interface to attach professional audio microphones and a heat dissipation structure for long recording sessions.
  • VIDEO CONTENT CREATION AT ITS BEST : Record your content in 4K glory at up to 60p with full pixel readout and no binning for the best quality. For seasoned filmmakers, the Alpha 7 IV can record in 4:2:2 10 bits and includes S-CINETONE/S-LOG 3 picture profiles for a cinematic look and ease of editing. Paired with blazing fast Real-time autofocus technology, track your subject's eye in motion with ease - it works for humans, animals, and birds. The Alpha 7 IV also includes unique video tools such as breathing compensation, a digital audio interface to attach professional audio microphones and a heat dissipation structure for long recording sessions.
  • YOUR CONTENT, ALWAYS CONNECTED: The Alpha 7 IV has livestreaming at up to 4K15p or Full HD 60p without the need for a capture card to keep you connected with your audience at all times. With the latest USB-C gen 3.2 compatibility, ultrafast Wi-Fi chip, and an automatic Bluetooth image backup mode on this streaming camera, transfer and share instantly your images with the world.
  • YOUR CONTENT, ALWAYS CONNECTED: The Alpha 7 IV has livestreaming at up to 4K15p or Full HD 60p without the need for a capture card to keep you connected with your audience at all times. With the latest USB-C gen 3.2 compatibility, ultrafast Wi-Fi chip, and an automatic Bluetooth image backup mode on this streaming camera, transfer and share instantly your images with the world.
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FEATURES

Newly developed 33.0MP[FN|Approximate, effective.] back-illuminated CMOS image sensor


The full-frame Exmor R™ CMOS sensor delivers outstanding speed and superb image quality. The use of copper wiring contributes to higher transmission speeds and faster AD conversion, while fast sensor readout enables 10-bit 4:2:2 4K recording at up to 60p[FN|QFHD (3840×2160). 4K 60p (50p) recording available in Super 35 mode only.]. The sensor also provides improved colour reproducibility, low-noise performance at all sensitivities, 15-stop[FN|Sony test conditions, still images.] dynamic range on stills, and increased AF precision and focal stability.

Newly developed 33.0MP[FN|Approximate, effective.] back-illuminated CMOS image sensor


The full-frame Exmor R™ CMOS sensor delivers outstanding speed and superb image quality. The use of copper wiring contributes to higher transmission speeds and faster AD conversion, while fast sensor readout enables 10-bit 4:2:2 4K recording at up to 60p[FN|QFHD (3840×2160). 4K 60p (50p) recording available in Super 35 mode only.]. The sensor also provides improved colour reproducibility, low-noise performance at all sensitivities, 15-stop[FN|Sony test conditions, still images.] dynamic range on stills, and increased AF precision and focal stability.

BIONZ XR™ image processor for up to 8x[FN|Compared to the BIONZ X image processing engine. Sony tests.] processing speed


The BIONZ XR engine, also used in the flagship a1 and a7S III models, provides up to an 8x[FN|Compared to the BIONZ X image processing engine. Sony tests.] increase in processing speed. The engine concentrates real-time processing of AF, image recognition and image quality adjustment to minimise processing latency, for greatly increased movie and still processing power. User interface, network, and file management processing is distributed in order to deliver fast response regardless of real-time processing load.

BIONZ XR™ image processor for up to 8x[FN|Compared to the BIONZ X image processing engine. Sony tests.] processing speed


The BIONZ XR engine, also used in the flagship a1 and a7S III models, provides up to an 8x[FN|Compared to the BIONZ X image processing engine. Sony tests.] increase in processing speed. The engine concentrates real-time processing of AF, image recognition and image quality adjustment to minimise processing latency, for greatly increased movie and still processing power. User interface, network, and file management processing is distributed in order to deliver fast response regardless of real-time processing load.

Beautiful image rendering with low noise


Visible benefits of the powerful new 33.0MP[FN|Approximate, effective.] sensor and engine go beyond mere numbers. They include soft, natural-looking human skin textures, a stunning level of detail in landscapes and scenery, and better colour reproduction, with higher subjective resolution resulting from improved algorithms. The standard sensitivity range of ISO 100-51200 is expandable to ISO 50-204800 for stills and ISO 100-102400 for movies, with low-noise performance throughout.

Beautiful image rendering with low noise


Visible benefits of the powerful new 33.0MP[FN|Approximate, effective.] sensor and engine go beyond mere numbers. They include soft, natural-looking human skin textures, a stunning level of detail in landscapes and scenery, and better colour reproduction, with higher subjective resolution resulting from improved algorithms. The standard sensitivity range of ISO 100-51200 is expandable to ISO 50-204800 for stills and ISO 100-102400 for movies, with low-noise performance throughout.

Smoother gradation rendering with 10-bit HEIF recording


The a7 IV offers HEIF (High Efficiency Image File)[FN|Imaging Edge Desktop (Remote/Viewer/Edit) version 3.2 or later is required to view and edit HEIF images.] still-image encoding, in addition to conventional RAW and JPEG. Smooth 10-bit gradations provide more realistic reproduction of skies and portrait subjects, and the use of 10-bit depth minimises degradation of image quality when editing. HEIF still images recorded in HLG mode can be played back on a compatible BRAVIA 4K TV, via an HDMI connection, to display images with an extraordinarily wide dynamic range.

Smoother gradation rendering with 10-bit HEIF recording


The a7 IV offers HEIF (High Efficiency Image File)[FN|Imaging Edge Desktop (Remote/Viewer/Edit) version 3.2 or later is required to view and edit HEIF images.] still-image encoding, in addition to conventional RAW and JPEG. Smooth 10-bit gradations provide more realistic reproduction of skies and portrait subjects, and the use of 10-bit depth minimises degradation of image quality when editing. HEIF still images recorded in HLG mode can be played back on a compatible BRAVIA 4K TV, via an HDMI connection, to display images with an extraordinarily wide dynamic range.

4K 60p[FN|QFHD (3840×2160). 4K 60p (50p) recording available in Super 35 mode only.] recording, 4:2:2 10-bit recording


The a7 IV gives you an impressive range of video recording options. Full pixel readout without binning allows 4K 60p[FN|QFHD (3840×2160). 4K 60p (50p) recording available in Super 35 mode only.] recording, and when recording 4K movies at 30p, full-frame 7K[FN|7032 x 3958.] oversampling[FN|At 4K 30p/24p (25p).] produces high-resolution, highly detailed 4K. 10-bit 4:2:2 video can be recorded internally, allowing fuller, more natural gradations and greater editing freedom. The XAVC HS™ file format[FN|XAVC HS compatible editing software is required. XAVC HS format uses the MPEG-H HEVC/H.265 high-efficiency codec.] provides roughly twice the coding efficiency of MPEG-4 AVC/H.264.

4K 60p[FN|QFHD (3840×2160). 4K 60p (50p) recording available in Super 35 mode only.] recording, 4:2:2 10-bit recording


The a7 IV gives you an impressive range of video recording options. Full pixel readout without binning allows 4K 60p[FN|QFHD (3840×2160). 4K 60p (50p) recording available in Super 35 mode only.] recording, and when recording 4K movies at 30p, full-frame 7K[FN|7032 x 3958.] oversampling[FN|At 4K 30p/24p (25p).] produces high-resolution, highly detailed 4K. 10-bit 4:2:2 video can be recorded internally, allowing fuller, more natural gradations and greater editing freedom. The XAVC HS™ file format[FN|XAVC HS compatible editing software is required. XAVC HS format uses the MPEG-H HEVC/H.265 high-efficiency codec.] provides roughly twice the coding efficiency of MPEG-4 AVC/H.264.

Set the mood, in-camera, with Creative Look


Broaden your creative palette with a selection of ten Creative Look presets. You can easily impart a particular mood in your still images, movies and live streaming, and all preset selections are available in-camera without post-editing, so you can share your vision immediately after shooting.

Set the mood, in-camera, with Creative Look


Broaden your creative palette with a selection of ten Creative Look presets. You can easily impart a particular mood in your still images, movies and live streaming, and all preset selections are available in-camera without post-editing, so you can share your vision immediately after shooting.

Beautiful colour expression made simple, with S-Cinetone™


The a7 IV supports S-Cinetone, based on expertise gained through development of the VENICE CineAlta camera. This look is responsible for the beautiful skin tones for which Cinema Line cameras like the FX9, FX6 and FX3 are widely acclaimed. It delivers natural mid-tones for healthy-looking skin colour, plus soft colours and gorgeous highlights. Because it's in-camera, it's easy to create a more expressive look for your movie imagery without post-editing.

Beautiful colour expression made simple, with S-Cinetone™


The a7 IV supports S-Cinetone, based on expertise gained through development of the VENICE CineAlta camera. This look is responsible for the beautiful skin tones for which Cinema Line cameras like the FX9, FX6 and FX3 are widely acclaimed. It delivers natural mid-tones for healthy-looking skin colour, plus soft colours and gorgeous highlights. Because it's in-camera, it's easy to create a more expressive look for your movie imagery without post-editing.

S-Log for colour matching with professional video equipment


The a7 IV provides S-Log2 and S-Log3 gamma curves, with the latter allowing capture of 15+ stops[FN|S-Log3, Sony internal tests.] of dynamic range. The S-Gamut3 and S-Gamut3.Cine colour gamut settings make it easy to match a7 IV footage with footage from VENICE digital cinema cameras or Cinema Line cameras like the FX6 and FX3. The native sensitivity when shooting S-Log is ISO 800, and it can be lowered by as much as two stops (ISO 200-640) below the standard range to achieve extra low noise.

S-Log for colour matching with professional video equipment


The a7 IV provides S-Log2 and S-Log3 gamma curves, with the latter allowing capture of 15+ stops[FN|S-Log3, Sony internal tests.] of dynamic range. The S-Gamut3 and S-Gamut3.Cine colour gamut settings make it easy to match a7 IV footage with footage from VENICE digital cinema cameras or Cinema Line cameras like the FX6 and FX3. The native sensitivity when shooting S-Log is ISO 800, and it can be lowered by as much as two stops (ISO 200-640) below the standard range to achieve extra low noise.

Soft Skin Effect for bright and beautiful skin appearance


The built-in Soft Skin Effect makes skin look more beautiful, softening wrinkles, blemishes and dull patches while preserving liveliness in eye and mouth areas. Complementing the capabilities of the full-frame sensor, this feature can add appeal to live-streamed sessions as well as enhancing still shots and movies. Four level settings are available[FN|Available settings for this feature are OFF, LO, MID, and HI.], so you can adjust the degree of the effect as you wish.

Soft Skin Effect for bright and beautiful skin appearance


The built-in Soft Skin Effect makes skin look more beautiful, softening wrinkles, blemishes and dull patches while preserving liveliness in eye and mouth areas. Complementing the capabilities of the full-frame sensor, this feature can add appeal to live-streamed sessions as well as enhancing still shots and movies. Four level settings are available[FN|Available settings for this feature are OFF, LO, MID, and HI.], so you can adjust the degree of the effect as you wish.

Optical 5-axis in-body image stabilisation for 5.5-step[FN|CIPA standards. Pitch/yaw shake only. Planar T* FE 50mm F1.4 ZA lens. Long exposure NR off. Still-image mode.] compensation


The a7 IV's high-precision stabilisation unit and gyro sensors work with stabilisation algorithms to achieve up to 5.5 steps[FN|CIPA standards. Pitch/yaw shake only. Planar T* FE 50mm F1.4 ZA lens. Long exposure NR off. Still-image mode.] of shutter-speed compensation, to maximise the performance of the camera's 33.0MP[FN|Approximate, effective.] sensor. This in-body stabilisation allows effective use with a wide range of lenses. The live monitor view shows the stabilised still image while the shutter button is half-pressed, an especially helpful feature when using a telephoto or macro lens, and it can be used in conjunction with the MF Assist and Focus Magnifier features.

Optical 5-axis in-body image stabilisation for 5.5-step[FN|CIPA standards. Pitch/yaw shake only. Planar T* FE 50mm F1.4 ZA lens. Long exposure NR off. Still-image mode.] compensation


The a7 IV's high-precision stabilisation unit and gyro sensors work with stabilisation algorithms to achieve up to 5.5 steps[FN|CIPA standards. Pitch/yaw shake only. Planar T* FE 50mm F1.4 ZA lens. Long exposure NR off. Still-image mode.] of shutter-speed compensation, to maximise the performance of the camera's 33.0MP[FN|Approximate, effective.] sensor. This in-body stabilisation allows effective use with a wide range of lenses. The live monitor view shows the stabilised still image while the shutter button is half-pressed, an especially helpful feature when using a telephoto or macro lens, and it can be used in conjunction with the MF Assist and Focus Magnifier features.

Hand-held movie shooting with Active Mode[FN|Slight image crop in Active Mode. "Standard" setting recommended for focal lengths of 200mm or longer.]


Active Mode[FN|Slight image crop in Active Mode. "Standard" setting recommended for focal lengths of 200mm or longer.] uses the camera's stabilisation unit, gyro sensors and sophisticated algorithms for highly effective in-camera optical image stabilisation during movie shoots. The powerful processing engine precisely detects the required amount of compensation for smooth stabilisation in all formats[FN|Active Mode is not available when recording at 120 (100) fps.], including 4K, without compromising the a7 IV's compact size and mobility. And, because the gyro data is also recorded alongside the video, even more effective post-production stabilisation can be applied for ultra smooth shots using Catalyst Browse/Prepare software[FN|Catalyst version 2021.1 or later is required.].

Hand-held movie shooting with Active Mode[FN|Slight image crop in Active Mode. "Standard" setting recommended for focal lengths of 200mm or longer.]


Active Mode[FN|Slight image crop in Active Mode. "Standard" setting recommended for focal lengths of 200mm or longer.] uses the camera's stabilisation unit, gyro sensors and sophisticated algorithms for highly effective in-camera optical image stabilisation during movie shoots. The powerful processing engine precisely detects the required amount of compensation for smooth stabilisation in all formats[FN|Active Mode is not available when recording at 120 (100) fps.], including 4K, without compromising the a7 IV's compact size and mobility. And, because the gyro data is also recorded alongside the video, even more effective post-production stabilisation can be applied for ultra smooth shots using Catalyst Browse/Prepare software[FN|Catalyst version 2021.1 or later is required.].

Buffer memory supports continuous shooting and recording


Both the mechanical and electronic shutters allow continuous shooting at up to 10 fps[FN|Up to 10 fps in continuous “Hi+” mode and up to 8 fps in continuous “Hi” mode. Maximum fps will depend on camera settings. Sony test conditions.] with AF/AE tracking. The latest powerful processing engine and increased buffer memory allow faster writing to memory cards, so you can shoot more than 800[FN|CFexpress Type A memory card is required.] uncompressed RAW+JPEG frames (more than 1600 altogether), or more than 1000 compressed RAW+JPEG frames (more than 2000 altogether, up to a full memory card)[FN|Maximum continuous shooting speed is 6 fps when shooting uncompressed RAW / uncompressed RAW+JPEG images.]. Increased processing power also allows you to change menu settings even while data is being written to the memory card.

Buffer memory supports continuous shooting and recording


Both the mechanical and electronic shutters allow continuous shooting at up to 10 fps[FN|Up to 10 fps in continuous “Hi+” mode and up to 8 fps in continuous “Hi” mode. Maximum fps will depend on camera settings. Sony test conditions.] with AF/AE tracking. The latest powerful processing engine and increased buffer memory allow faster writing to memory cards, so you can shoot more than 800[FN|CFexpress Type A memory card is required.] uncompressed RAW+JPEG frames (more than 1600 altogether), or more than 1000 compressed RAW+JPEG frames (more than 2000 altogether, up to a full memory card)[FN|Maximum continuous shooting speed is 6 fps when shooting uncompressed RAW / uncompressed RAW+JPEG images.]. Increased processing power also allows you to change menu settings even while data is being written to the memory card.

Fast Hybrid AF with improved speed, precision and tracking


Using a combination of phase-detection AF and contrast-detection AF, Fast Hybrid AF focuses precisely even on small subjects or on people posed in front of a nighttime background. A wide, dense AF area covers roughly 94 of the image area for both still and movie shooting with 759[FN|759 AF measurement points for still images. The number of points used varies according to the shooting mode.] phase-detection points, while the contrast-detection AF system uses 425 points. This vast collection of data is analysed in real time by the latest powerful processing engine to achieve the AF system's impressive results.

Fast Hybrid AF with improved speed, precision and tracking


Using a combination of phase-detection AF and contrast-detection AF, Fast Hybrid AF focuses precisely even on small subjects or on people posed in front of a nighttime background. A wide, dense AF area covers roughly 94 of the image area for both still and movie shooting with 759[FN|759 AF measurement points for still images. The number of points used varies according to the shooting mode.] phase-detection points, while the contrast-detection AF system uses 425 points. This vast collection of data is analysed in real time by the latest powerful processing engine to achieve the AF system's impressive results.

AI-based Real-time Eye AF and Real-time Tracking[FN|"Tracking" in the menu.]


The superior processing power of the BIONZ XR engine has led to improvements in both Real-time Eye AF and Real-time Tracking features. Improved face detection translates into 30% better eye-detection accuracy[FN|Compared with the a7 III.], while faster image processing yields higher accuracy when the subject is looking up, down, or sideways. Real-time Tracking allows you to select your subject and then leave tracking to the camera, relying on the latest subject recognition algorithm and high-speed analysis of spatial data by the processing engine.

AI-based Real-time Eye AF and Real-time Tracking[FN|"Tracking" in the menu.]


The superior processing power of the BIONZ XR engine has led to improvements in both Real-time Eye AF and Real-time Tracking features. Improved face detection translates into 30% better eye-detection accuracy[FN|Compared with the a7 III.], while faster image processing yields higher accuracy when the subject is looking up, down, or sideways. Real-time Tracking allows you to select your subject and then leave tracking to the camera, relying on the latest subject recognition algorithm and high-speed analysis of spatial data by the processing engine.

Bird mode for Real-time Eye AF, now available in movies


The Real-time Eye AF function is now capable of detecting the eyes of birds and tracking them in real time, for both still shots and movies. The BIONZ XR engine runs optimised AF and tracking algorithms to ensure uninterrupted tracking even for birds in flight, whose movement is hard to predict. Once you've selected a bird, the camera will automatically detect and precisely track that bird's eye, whether the bird is perched or in flight.

Bird mode for Real-time Eye AF, now available in movies


The Real-time Eye AF function is now capable of detecting the eyes of birds and tracking them in real time, for both still shots and movies. The BIONZ XR engine runs optimised AF and tracking algorithms to ensure uninterrupted tracking even for birds in flight, whose movement is hard to predict. Once you've selected a bird, the camera will automatically detect and precisely track that bird's eye, whether the bird is perched or in flight.

AF control through touch operation


Touch Tracking lets you select a subject to track simply by touching the LCD screen, even while using the viewfinder, for more intuitive AF control for both still shots and movies. Easier focus operation is particularly helpful when you're shooting movies alone or using a gimbal, allowing you to concentrate on composing your shots.

AF control through touch operation


Touch Tracking lets you select a subject to track simply by touching the LCD screen, even while using the viewfinder, for more intuitive AF control for both still shots and movies. Easier focus operation is particularly helpful when you're shooting movies alone or using a gimbal, allowing you to concentrate on composing your shots.

AF Assist for seamless transitions to manual focus[FN|Not available when using the SELP1650, SEL18200LE or A-mount lenses.]


The AF Assist function, inherited from the Cinema Line FX6, lets you seamlessly switch to and from manual focus during movie shoots. When this feature has been turned on, rotating the focus ring temporarily switches operation from autofocus to manual focus to allow you to deliberately shift your focus to a different subject.

AF Assist for seamless transitions to manual focus[FN|Not available when using the SELP1650, SEL18200LE or A-mount lenses.]


The AF Assist function, inherited from the Cinema Line FX6, lets you seamlessly switch to and from manual focus during movie shoots. When this feature has been turned on, rotating the focus ring temporarily switches operation from autofocus to manual focus to allow you to deliberately shift your focus to a different subject.

Visualise depth of field during movie shoots with Focus Map[FN|The Focus Map function cannot be used under the following conditions: when shooting stills, when the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when using the SEL16F28. For other lenses, please use the latest firmware.]


The new Focus Map[FN|The Focus Map function cannot be used under the following conditions: when shooting stills, when the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when using the SEL16F28. For other lenses, please use the latest firmware.] overlays focus information onto a live real-time display to show which areas are in or out of focus. Being able to clearly visualise depth of field in this way makes it easier to quickly set up your ideal focus point and depth of field during rehearsal. As a result you can use the camera's excellent video definition and fast lenses to create impressive shots with shallow depth of field.

Visualise depth of field during movie shoots with Focus Map[FN|The Focus Map function cannot be used under the following conditions: when shooting stills, when the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when using the SEL16F28. For other lenses, please use the latest firmware.]


The new Focus Map[FN|The Focus Map function cannot be used under the following conditions: when shooting stills, when the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when using the SEL16F28. For other lenses, please use the latest firmware.] overlays focus information onto a live real-time display to show which areas are in or out of focus. Being able to clearly visualise depth of field in this way makes it easier to quickly set up your ideal focus point and depth of field during rehearsal. As a result you can use the camera's excellent video definition and fast lenses to create impressive shots with shallow depth of field.

Breathing Compensation[FN|Angle of view and image quality may change slightly when this feature is turned on. Breathing Compensation is not available for unsupported lenses, 120p (100p) movie recording, S&Q recording at 120p (100p), or stills. Compatibility of lenses is limited. Please see Sony support page for lens compatibility. https://www.sony.net/dics/breathing/] for consistent angle of view when focusing


For the first time in the a series, the a7 IV provides compensation for focus breathing. Focus breathing is any change in a lens's angle of view that corresponds to changes in focus[FN|Compatibility of lenses is limited. Please see Sony support page for lens compatibility.]. Sony's original Clear Image Zoom technology is used to automatically maintain a consistent angle of view, for more movie-like focus transitions. This feature can be used in conjunction with Active Mode image stabilisation to shoot stable, consistent imagery.

Breathing Compensation[FN|Angle of view and image quality may change slightly when this feature is turned on. Breathing Compensation is not available for unsupported lenses, 120p (100p) movie recording, S&Q recording at 120p (100p), or stills. Compatibility of lenses is limited. Please see Sony support page for lens compatibility. https://www.sony.net/dics/breathing/] for consistent angle of view when focusing


For the first time in the a series, the a7 IV provides compensation for focus breathing. Focus breathing is any change in a lens's angle of view that corresponds to changes in focus[FN|Compatibility of lenses is limited. Please see Sony support page for lens compatibility.]. Sony's original Clear Image Zoom technology is used to automatically maintain a consistent angle of view, for more movie-like focus transitions. This feature can be used in conjunction with Active Mode image stabilisation to shoot stable, consistent imagery.

Still/Movie/S&Q dial for quick access to hybrid capabilities


Befitting the a7 IV's status as a true hybrid camera, it comes equipped with a dedicated Still/Movie/S&Q dial to instantly switch between movies and stills. The dial switches the menus, functions, and custom settings of various controls between still and movie mode, and settings such as aperture and shutter speed are also maintained separately for stills and movies. S&Q mode can also be selected, for fast access to slow-motion or quick-motion shooting.

Still/Movie/S&Q dial for quick access to hybrid capabilities


Befitting the a7 IV's status as a true hybrid camera, it comes equipped with a dedicated Still/Movie/S&Q dial to instantly switch between movies and stills. The dial switches the menus, functions, and custom settings of various controls between still and movie mode, and settings such as aperture and shutter speed are also maintained separately for stills and movies. S&Q mode can also be selected, for fast access to slow-motion or quick-motion shooting.

The latest mode-specific menus and customisable Rear dial R


The a7 IV's menus are specific to either stills or movies, and for easier navigation menus are configured to show three levels of hierarchy at once. Separate functions for stills and for movies can be assigned to various buttons and dials, including the new, freely customisable Rear dial R. With controls tailored to whichever shooting mode you are currently using, the flexible access provided by the Rear dial R contributes to greatly enhanced still and movie shooting efficiency.

The latest mode-specific menus and customisable Rear dial R


The a7 IV's menus are specific to either stills or movies, and for easier navigation menus are configured to show three levels of hierarchy at once. Separate functions for stills and for movies can be assigned to various buttons and dials, including the new, freely customisable Rear dial R. With controls tailored to whichever shooting mode you are currently using, the flexible access provided by the Rear dial R contributes to greatly enhanced still and movie shooting efficiency.

Vari-angle LCD monitor for greater freedom when shooting


The large, side-opening 3.0-type 1.03-megadot[FN|Approximate.] touch-panel LCD monitor offers ample brightness for clear viewing in outdoor settings, and its 3:2 aspect ratio makes efficient use of the display area. The vari-angle mechanism allows flexible positioning and framing for handheld shots, gimbal-mounted or documentary-style self-shooting, or very low ground-level shots.

Vari-angle LCD monitor for greater freedom when shooting


The large, side-opening 3.0-type 1.03-megadot[FN|Approximate.] touch-panel LCD monitor offers ample brightness for clear viewing in outdoor settings, and its 3:2 aspect ratio makes efficient use of the display area. The vari-angle mechanism allows flexible positioning and framing for handheld shots, gimbal-mounted or documentary-style self-shooting, or very low ground-level shots.

3.68 megadot[FN|Approximate.] high-definition Quad-VGA OLED viewfinder


The a7 IV's Quad-VGA OLED viewfinder provides roughly 1.6 times the resolution of the a7 III viewfinder, with a 37.3° FOV and a 23mm high eyepoint. With high resolution, improved electronic viewfinder image quality, and fogging and dust resistance (including significantly improved internal fogging resistance relative to the a7 III), it is designed for clear and comfortable viewing in a wide range of shooting environments.

3.68 megadot[FN|Approximate.] high-definition Quad-VGA OLED viewfinder


The a7 IV's Quad-VGA OLED viewfinder provides roughly 1.6 times the resolution of the a7 III viewfinder, with a 37.3° FOV and a 23mm high eyepoint. With high resolution, improved electronic viewfinder image quality, and fogging and dust resistance (including significantly improved internal fogging resistance relative to the a7 III), it is designed for clear and comfortable viewing in a wide range of shooting environments.

Communication features for easy sharing and distribution


The a7 IV is equipped with robust wired and wireless communication features for more comfortable sharing and distribution. In-body wireless LAN uses a 5GHz[FN|5GHz communication may be restricted in some countries and regions.] band in addition to the 2.4GHz[FN|IEEE 802.11 a/b/g/n/ac standards are supported.] band, for fast data transfer. Background FTP transfer of files can be set to occur automatically while shooting continues, and a USB Type-C® connector supports fast SuperSpeed USB 10Gbps (USB 3.2 Gen 2) data transfer.

Communication features for easy sharing and distribution


The a7 IV is equipped with robust wired and wireless communication features for more comfortable sharing and distribution. In-body wireless LAN uses a 5GHz[FN|5GHz communication may be restricted in some countries and regions.] band in addition to the 2.4GHz[FN|IEEE 802.11 a/b/g/n/ac standards are supported.] band, for fast data transfer. Background FTP transfer of files can be set to occur automatically while shooting continues, and a USB Type-C® connector supports fast SuperSpeed USB 10Gbps (USB 3.2 Gen 2) data transfer.

Instant real-time live streaming via USB connection


Live streaming is as easy as connecting to a computer through a USB connection, and you can choose from four different output formats, including high-resolution 4K video[FN|Available formats are 4K 15p (12.5p), Full HD 60p (50p), Full HD 30p (25p), and HD720 30p (25p).]. You can select whichever configuration is best for current network conditions and the devices used, and simultaneous internal recording is also available, giving you broad flexibility to cover a wide variety of needs.

Instant real-time live streaming via USB connection


Live streaming is as easy as connecting to a computer through a USB connection, and you can choose from four different output formats, including high-resolution 4K video[FN|Available formats are 4K 15p (12.5p), Full HD 60p (50p), Full HD 30p (25p), and HD720 30p (25p).]. You can select whichever configuration is best for current network conditions and the devices used, and simultaneous internal recording is also available, giving you broad flexibility to cover a wide variety of needs.

High-capacity Z batteries and USB Power Delivery[FN|USB charging and power delivery are only supported via the USB Type-C® terminal. A battery must be installed in the camera when supplying USB power. The internal battery may drain even if USB power is supplied, depending on the adaptor used and camera operating conditions.]


The a7 IV relies on a high-capacity Z battery (NP-FZ100), along with external power options that include USB power supplies[FN|USB charging and power delivery are only supported via the USB Type-C® terminal. A battery must be installed in the camera when supplying USB power. The internal battery may drain even if USB power is supplied, depending on the adaptor used and camera operating conditions.] and AC adaptors. Battery drain can be minimised by adding a high-capacity mobile battery for outdoor shooting. A USB charger or mobile battery that supports USB PD[FN|9V/3A output. Compatibility is not guaranteed with all USB PD devices. The internal battery will not be charged while camera power is ON and the camera is in use.] can be connected to the camera's USB Type-C® port, for extended recording.

High-capacity Z batteries and USB Power Delivery[FN|USB charging and power delivery are only supported via the USB Type-C® terminal. A battery must be installed in the camera when supplying USB power. The internal battery may drain even if USB power is supplied, depending on the adaptor used and camera operating conditions.]


The a7 IV relies on a high-capacity Z battery (NP-FZ100), along with external power options that include USB power supplies[FN|USB charging and power delivery are only supported via the USB Type-C® terminal. A battery must be installed in the camera when supplying USB power. The internal battery may drain even if USB power is supplied, depending on the adaptor used and camera operating conditions.] and AC adaptors. Battery drain can be minimised by adding a high-capacity mobile battery for outdoor shooting. A USB charger or mobile battery that supports USB PD[FN|9V/3A output. Compatibility is not guaranteed with all USB PD devices. The internal battery will not be charged while camera power is ON and the camera is in use.] can be connected to the camera's USB Type-C® port, for extended recording.

Heat management


To allow extended continuous recording, efficient heat dissipation is provided by Sony's proprietary S (sigma)-shaped thermal mounting. The mounting, which is also used on flagship models, is constructed from a graphite material with excellent thermal conduction properties. This structure allows the image sensor, a major source of heat inside the camera body, to move freely during image stabilisation while heat is efficiently dissipated.

Heat management


To allow extended continuous recording, efficient heat dissipation is provided by Sony's proprietary S (sigma)-shaped thermal mounting. The mounting, which is also used on flagship models, is constructed from a graphite material with excellent thermal conduction properties. This structure allows the image sensor, a major source of heat inside the camera body, to move freely during image stabilisation while heat is efficiently dissipated.

Dual media slots, with CFexpress Type A support


Dual media slots allow you to continue shooting even if one memory card fills up. One of the slots supports high-performance CFexpress Type A cards[FN|CFexpress Type B memory cards are not supported.], and both slots support UHS-I and UHS-II SDXC/SDHC cards. With their fast write speeds, CFexpress Type A cards are particularly suited to high-speed continuous still shooting as well as high-resolution, high-bitrate 4K movie recording.

Dual media slots, with CFexpress Type A support


Dual media slots allow you to continue shooting even if one memory card fills up. One of the slots supports high-performance CFexpress Type A cards[FN|CFexpress Type B memory cards are not supported.], and both slots support UHS-I and UHS-II SDXC/SDHC cards. With their fast write speeds, CFexpress Type A cards are particularly suited to high-speed continuous still shooting as well as high-resolution, high-bitrate 4K movie recording.

Reliable, robust engineering


We have improved the dust and moisture resistance[FN|Not guaranteed to be 100% dust and moisture proof.] of the a7 IV to provide outstanding reliability even in challenging outdoor shooting environments. Design refinements include more   sealing at body seams and the battery compartment cover (compared to the a7 III), a redesigned lens lock button, and extra cushioning around the mount. A lightweight, high-rigidity magnesium alloy used for the camera's top cover, front cover, and internal frame provides excellent durability.

Reliable, robust engineering


We have improved the dust and moisture resistance[FN|Not guaranteed to be 100% dust and moisture proof.] of the a7 IV to provide outstanding reliability even in challenging outdoor shooting environments. Design refinements include more   sealing at body seams and the battery compartment cover (compared to the a7 III), a redesigned lens lock button, and extra cushioning around the mount. A lightweight, high-rigidity magnesium alloy used for the camera's top cover, front cover, and internal frame provides excellent durability.

Consideration for the environment and resource conservation


Sony's "Road to Zero" environmental plan was launched in 2010 with the ultimate goal of achieving a zero environmental footprint. Currently nearly all  plastic packaging materials for the a7 IV are  recycled. Recyclable materials are also used for camera bodies whenever possible, reducing environmental burden without compromising functionality. While retaining state-of-the-art performance, we aim to further reduce energy and resource consumption to reduce the burden on the environment.

Consideration for the environment and resource conservation


Sony's "Road to Zero" environmental plan was launched in 2010 with the ultimate goal of achieving a zero environmental footprint. Currently nearly all  plastic packaging materials for the a7 IV are  recycled. Recyclable materials are also used for camera bodies whenever possible, reducing environmental burden without compromising functionality. While retaining state-of-the-art performance, we aim to further reduce energy and resource consumption to reduce the burden on the environment.

Imaging Edge Desktop™ / Imaging Edge Mobile™


Expand your creative horizons with Imaging Edge Desktop[FN|Imaging Edge Desktop version 3.2 or later is required.] and Imaging Edge Mobile[FN|Imaging Edge Mobile version 7.6 or later is required.]. The Imaging Edge Desktop PC application lets you control and monitor shoots directly from your PC screen, preview photos, and develop RAW/HEIF data into high-quality photos for delivery. Imaging Edge Mobile applications use the Wi-Fi and Bluetooth® functionality of the a7 IV to provide a wide variety of convenient shooting and sharing functions.

Imaging Edge Desktop™ / Imaging Edge Mobile™


Expand your creative horizons with Imaging Edge Desktop[FN|Imaging Edge Desktop version 3.2 or later is required.] and Imaging Edge Mobile[FN|Imaging Edge Mobile version 7.6 or later is required.]. The Imaging Edge Desktop PC application lets you control and monitor shoots directly from your PC screen, preview photos, and develop RAW/HEIF data into high-quality photos for delivery. Imaging Edge Mobile applications use the Wi-Fi and Bluetooth® functionality of the a7 IV to provide a wide variety of convenient shooting and sharing functions.

Works with iMovie and Final Cut Pro X


This product is compatible with Final Cut Pro X and iMovie.[FN|Final Cut Pro, iMovie, and Mac® are trademarks of Apple Inc., registered in the U.S. and other countries. The Mac logo is a trademark of Apple Inc.]

Works with iMovie and Final Cut Pro X


This product is compatible with Final Cut Pro X and iMovie.[FN|Final Cut Pro, iMovie, and Mac® are trademarks of Apple Inc., registered in the U.S. and other countries. The Mac logo is a trademark of Apple Inc.]

SPECIFICATIONS

Lens
Lens Mount
E-mount
Lens Mount
E-mount
Image Sensor
Aspect Ratio
3:2
Aspect Ratio
3:2
Number Of Pixels (Effective)
Approx. 33.0 megapixels
Number Of Pixels (Effective)
Approx. 33.0 megapixels
Number of Pixels (total)
Approx. 34.1 megapixels
Number of Pixels (total)
Approx. 34.1 megapixels
Sensor Type
35 mm full frame (35.9 x 23.9 mm), Exmor R CMOS sensor
Sensor Type
35 mm full frame (35.9 x 23.9 mm), Exmor R CMOS sensor
Anti-Dust System
Yes (Charge protection coating on optical filter and image sensor shift mechanism)
Anti-Dust System
Yes (Charge protection coating on optical filter and image sensor shift mechanism)
Recording (still images)
Recording Format
JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
Picture Effect
-
Recording Format
JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
Creative Style
-
Image Quality Modes
RAW (Compressed / Lossless Compressed (L / M / S) / Uncompressed), JPEG (Extra fine / Fine / Standard / Light), HEIF (4:2:0 / 4:2:2) (Extra fine / Fine / Standard / Light), RAW & JPEG, RAW & HEIF
Image Quality Modes
RAW (Compressed / Lossless Compressed / Uncompressed), JPEG (Extra fine / Fine / Standard / Light), HEIF (4:2:0 / 4:2:2) (Extra fine / Fine / Standard / Light), RAW & JPEG, RAW & HEIF
Picture Effect
-
Picture Effect
-
Picture Profile
Yes (Off / PP1-PP11) Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
CREATIVE LOOK
ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)
Creative Style
-
Creative Style
-
Picture Profile
Yes (Off / PP1-PP11) Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
Picture Effect
Yes
Picture Profile
Yes (Off / PP1-PP11) Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
CREATIVE LOOK
ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)
CREATIVE LOOK
ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)
Dynamic Range Functions
Off, Dynamic Range Optimizer
Colour Space
sRGB standard (with sYCC gamut), Adobe RGB standard and Rec. ITU-R BT.2100 standard (BT.2020 gamut).
Picture Effect
Yes
Picture Effect
Yes
14bit RAW
Yes
Dynamic Range Functions
Off, Dynamic Range Optimizer
Dynamic Range Functions
Off, Dynamic Range Optimizer
Colour Space
sRGB standard (with sYCC gamut), Adobe RGB standard and Rec. ITU-R BT.2100 standard (BT.2020 gamut).
Colour Space
sRGB standard (with sYCC gamut), Adobe RGB standard and Rec. ITU-R BT.2100 standard (BT.2020 gamut).
14bit RAW
Yes
14bit RAW
Yes
Recording (movie)
Recording Format
XAVC S, XAVC HS
Recording system (Still Image)
Recording Format
JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
Colour Space
Rec. ITU-R BT.2100 standard compatible (BT.2020 gamut)
Image Quality Modes
RAW (Compressed / Lossless Compressed (L / M / S) / Uncompressed), JPEG (Extra fine / Fine / Standard / Light), HEIF (4:2:0 / 4:2:2) (Extra fine / Fine / Standard / Light), RAW & JPEG, RAW & HEIF
Recording Format
XAVC S, XAVC HS
Picture Effect
-
Recording Format
XAVC S, XAVC HS
Recording Format
XAVC S, XAVC HS
Video Compression
XAVC S: MPEG-4 AVC / H.264, XAVC HS: MPEG-H HEVC / H.265
Creative Style
-
Video Compression
XAVC S: MPEG-4 AVC / H.264, XAVC HS: MPEG-H HEVC / H.265
SOFT SKIN EFFECT
Yes
Audio Recording Format
LPCM 2 ch (48 kHz 16 bit), LPCM 2 ch (48 kHz 24 bit), LPCM 4 ch (48 kHz 24 bit), MPEG-4 AAC-LC 2 ch
Audio Recording Format
LPCM 2 ch (48 kHz 16 bit), LPCM 2 ch (48 kHz 24 bit), LPCM 4 ch (48 kHz 24 bit), MPEG-4 AAC-LC 2 ch
Colour Space
Rec. ITU-R BT.2100 standard compatible (BT.2020 gamut)
Colour Space
Rec. ITU-R BT.2100 standard compatible (BT.2020 gamut)
Picture Effect
-
Colour Space
Rec. ITU-R BT.2100 standard compatible (BT.2020 gamut)
Picture Profile
Yes (Off / PP1-PP11) Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
Picture Effect
-
Picture Effect
-
Creative Style
-
CREATIVE LOOK
ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)
SOFT SKIN EFFECT
Yes
Creative Style
-
Creative Style
-
MOVIE RECORDING SYSTEM (XAVC HS 4K)
3840 x 2160 (4:2:0, 10bit, NTSC) (Approx.): 60p (150 Mbps / 75 Mbps / 45 Mbps), 24p (100 Mbps / 50 Mbps / 30 Mbps), 3840 x 2160 (4:2:0, 10bit, PAL) (Approx.): 50p (150 Mbps / 75 Mbps / 45 Mbps), 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (200 Mbps / 100 Mbps), 24p (100 Mbps / 50 Mbps), 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (200 Mbps / 100 Mbps)
SOFT SKIN EFFECT
Yes
SOFT SKIN EFFECT
Yes
Picture Profile
Yes (Off / PP1-PP11) Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
MOVIE RECORDING SYSTEM (XAVC S 4K)
3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.): 60p (150 Mbps), 30p (100 Mbps / 60 Mbps), 24p (100 Mbps / 60 Mbps), 3840 x 2160 (4:2:0, 8bit, PAL) (Approx.): 50p (150 Mbps), 25p (100 Mbps / 60 Mbps), 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (200 Mbps), 30p (140 Mbps), 24p (100 Mbps), 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (200 Mbps), 25p (140 Mbps)
MOVIE RECORDING SYSTEM (XAVC S HD)
1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.): 120p (100 Mbps / 60 Mbps), 60p (50 Mbps / 25 Mbps), 30p (50 Mbps / 16 Mbps), 24p (50 Mbps), 1920 x 1080 (4:2:0, 8bit, PAL) (Approx.): 100p (100 Mbps / 60 Mbps), 50p (50 Mbps / 25 Mbps), 25p (50 Mbps / 16 Mbps), 1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (50 Mbps), 30p (50 Mbps), 24p (50 Mbps), 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (50 Mbps), 25p (50 Mbps)
CREATIVE LOOK
ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)
Picture Profile
Yes (Off / PP1-PP11) Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
Picture Profile
Yes (Off / PP1-PP11) Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
CREATIVE LOOK
ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)
MOVIE RECORDING SYSTEM (XAVC HS 4K)
3840 x 2160 (4:2:0, 10bit, NTSC) (Approx.): 60p (150 Mbps / 75 Mbps / 45 Mbps), 24p (100 Mbps / 50 Mbps / 30 Mbps), 3840 x 2160 (4:2:0, 10bit, PAL) (Approx.): 50p (150 Mbps / 75 Mbps / 45 Mbps), 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (200 Mbps / 100 Mbps), 24p (100 Mbps / 50 Mbps), 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (200 Mbps / 100 Mbps)
CREATIVE LOOK
ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)
MOVIE RECORDING SYSTEM (XAVC S-I 4K)
3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (600 Mbps), 30p (300 Mbps), 24p (240 Mbps), 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (500 Mbps), 25p (250 Mbps)
MOVIE RECORDING SYSTEM (XAVC S-I HD)
1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (222 Mbps), 30p (111 Mbps), 24p (89 Mbps), 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (185 Mbps), 25p (93 Mbps)
MOVIE RECORDING SYSTEM (XAVC S 4K)
3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.): 60p (150 Mbps), 30p (100 Mbps / 60 Mbps), 24p (100 Mbps / 60 Mbps), 3840 x 2160 (4:2:0, 8bit, PAL) (Approx.): 50p (150 Mbps), 25p (100 Mbps / 60 Mbps), 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (200 Mbps), 30p (140 Mbps), 24p (100 Mbps), 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (200 Mbps), 25p (140 Mbps)
MOVIE RECORDING SYSTEM (XAVC HS 4K)
3840 x 2160 (4:2:0, 10bit, NTSC) (Approx.): 60p (150 Mbps / 75 Mbps / 45 Mbps), 24p (100 Mbps / 50 Mbps / 30 Mbps), 3840 x 2160 (4:2:0, 10bit, PAL) (Approx.): 50p (150 Mbps / 75 Mbps / 45 Mbps), 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (200 Mbps / 100 Mbps), 24p (100 Mbps / 50 Mbps), 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (200 Mbps / 100 Mbps)
MOVIE RECORDING SYSTEM (XAVC HS 4K)
3840 x 2160 (4:2:0, 10bit, NTSC) (Approx.): 60p (150 Mbps / 75 Mbps / 45 Mbps), 24p (100 Mbps / 50 Mbps / 30 Mbps), 3840 x 2160 (4:2:0, 10bit, PAL) (Approx.): 50p (150 Mbps / 75 Mbps / 45 Mbps), 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (200 Mbps / 100 Mbps), 24p (100 Mbps / 50 Mbps), 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (200 Mbps / 100 Mbps)
MOVIE RECORDING SYSTEM (XAVC S HD)
1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.): 120p (100 Mbps / 60 Mbps), 60p (50 Mbps / 25 Mbps), 30p (50 Mbps / 16 Mbps), 24p (50 Mbps), 1920 x 1080 (4:2:0, 8bit, PAL) (Approx.): 100p (100 Mbps / 60 Mbps), 50p (50 Mbps / 25 Mbps), 25p (50 Mbps / 16 Mbps), 1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (50 Mbps), 30p (50 Mbps), 24p (50 Mbps), 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (50 Mbps), 25p (50 Mbps)
MOVIE RECORDING SYSTEM (XAVC S 4K)
3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.): 60p (150 Mbps), 30p (100 Mbps / 60 Mbps), 24p (100 Mbps / 60 Mbps), 3840 x 2160 (4:2:0, 8bit, PAL) (Approx.): 50p (150 Mbps), 25p (100 Mbps / 60 Mbps), 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (200 Mbps), 30p (140 Mbps), 24p (100 Mbps), 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (200 Mbps), 25p (140 Mbps)
MOVIE RECORDING SYSTEM (XAVC S 4K)
3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.): 60p (150 Mbps), 30p (100 Mbps / 60 Mbps), 24p (100 Mbps / 60 Mbps), 3840 x 2160 (4:2:0, 8bit, PAL) (Approx.): 50p (150 Mbps), 25p (100 Mbps / 60 Mbps), 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (200 Mbps), 30p (140 Mbps), 24p (100 Mbps), 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (200 Mbps), 25p (140 Mbps)
SLOW & QUICK MOTION (SHOOTING FRAME RATE)
NTSC mode: 1 fps, 2 fps, 4 fps, 8 fps, 15 fps, 30 fps, 60 fps, 120 fps, PAL mode: 1 fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps
MOVIE RECORDING SYSTEM (XAVC S HD)
1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.): 120p (100 Mbps / 60 Mbps), 60p (50 Mbps / 25 Mbps), 30p (50 Mbps / 16 Mbps), 24p (50 Mbps), 1920 x 1080 (4:2:0, 8bit, PAL) (Approx.): 100p (100 Mbps / 60 Mbps), 50p (50 Mbps / 25 Mbps), 25p (50 Mbps / 16 Mbps), 1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (50 Mbps), 30p (50 Mbps), 24p (50 Mbps), 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (50 Mbps), 25p (50 Mbps)
MOVIE RECORDING SYSTEM (XAVC S-I 4K)
3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (600 Mbps), 30p (300 Mbps), 24p (240 Mbps), 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (500 Mbps), 25p (250 Mbps)
Movie Functions
Audio Level Display, Audio Rec Level, PAL / NTSC Selector, Proxy Recording (1280 x 720 (Approx. 6 Mbps), 1920 x 1080 (Approx. 9 Mbps), 1920 x 1080 (Approx. 16 Mbps)), TC / UB, Auto Slow Shutter, Gamma Disp. Assist
MOVIE RECORDING SYSTEM (XAVC S HD)
1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.): 120p (100 Mbps / 60 Mbps), 60p (50 Mbps / 25 Mbps), 30p (50 Mbps / 16 Mbps), 24p (50 Mbps), 1920 x 1080 (4:2:0, 8bit, PAL) (Approx.): 100p (100 Mbps / 60 Mbps), 50p (50 Mbps / 25 Mbps), 25p (50 Mbps / 16 Mbps), 1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (50 Mbps), 30p (50 Mbps), 24p (50 Mbps), 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (50 Mbps), 25p (50 Mbps)
MOVIE RECORDING SYSTEM (XAVC S-I 4K)
3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (600 Mbps), 30p (300 Mbps), 24p (240 Mbps), 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (500 Mbps), 25p (250 Mbps)
MOVIE RECORDING SYSTEM (XAVC S-I HD)
1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (222 Mbps), 30p (111 Mbps), 24p (89 Mbps), 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (185 Mbps), 25p (93 Mbps)
MOVIE RECORDING SYSTEM (XAVC S-I 4K)
3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (600 Mbps), 30p (300 Mbps), 24p (240 Mbps), 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (500 Mbps), 25p (250 Mbps)
USB Streaming
VIDEO DATA FORMAT
MJPEG, YUV420
MOVIE RECORDING SYSTEM (XAVC S-I HD)
1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (222 Mbps), 30p (111 Mbps), 24p (89 Mbps), 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (185 Mbps), 25p (93 Mbps)
SLOW & QUICK MOTION (SHOOTING FRAME RATE)
NTSC mode: 1 fps, 2 fps, 4 fps, 8 fps, 15 fps, 30 fps, 60 fps, 120 fps, PAL mode: 1 fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps
MOVIE RECORDING SYSTEM (XAVC S-I HD)
1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (222 Mbps), 30p (111 Mbps), 24p (89 Mbps), 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (185 Mbps), 25p (93 Mbps)
Movie Functions
Audio Level Display, Audio Rec Level, PAL / NTSC Selector, Proxy Recording (1280 x 720 (Approx. 6 Mbps), 1920 x 1080 (Approx. 9 Mbps), 1920 x 1080 (Approx. 16 Mbps)), TC / UB, Auto Slow Shutter, Gamma Disp. Assist
VIDEO RESOLUTION
3840 x 2160 (15p / 12.5p) / 1920 x 1080 (60p / 50p / 30p / 25p) / 1280 x 720 (30p / 25p)
SLOW & QUICK MOTION (SHOOTING FRAME RATE)
NTSC mode: 1 fps, 2 fps, 4 fps, 8 fps, 15 fps, 30 fps, 60 fps, 120 fps, PAL mode: 1 fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps
SLOW & QUICK MOTION (SHOOTING FRAME RATE)
NTSC mode: 1 fps, 2 fps, 4 fps, 8 fps, 15 fps, 30 fps, 60 fps, 120 fps, PAL mode: 1 fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps
Movie Functions
Audio Level Display, Audio Rec Level, PAL / NTSC Selector, Proxy Recording (1280 x 720 (Approx. 6 Mbps), 1920 x 1080 (Approx. 9 Mbps), 1920 x 1080 (Approx. 16 Mbps)), TC / UB, Auto Slow Shutter, Gamma Disp. Assist
Movie Functions
Audio Level Display, Audio Rec Level, PAL / NTSC Selector, Proxy Recording (1280 x 720 (Approx. 6 Mbps), 1920 x 1080 (Approx. 9 Mbps), 1920 x 1080 (Approx. 16 Mbps)), TC / UB, Auto Slow Shutter, Gamma Disp. Assist
AUDIO DATA FORMAT
LPCM 2 ch (16 bit 48 kHz)
Recording system (movie)
VIDEO COMPRESSION
XAVC S: MPEG-4 AVC / H.264, XAVC HS: MPEG-H HEVC / H.265
SIMULTANEOUS INTERNAL RECORDING
Yes
VIDEO DATA FORMAT
MJPEG, YUV420
VIDEO DATA FORMAT
MJPEG, YUV420
AUDIO RECORDING FORMAT
LPCM 2 ch (48 kHz 16 bit), LPCM 2 ch (48 kHz 24 bit), LPCM 4 ch (48 kHz 24 bit), MPEG-4 AAC-LC 2 ch
VIDEO RESOLUTION
3840 x 2160 (15p / 12.5p) / 1920 x 1080 (60p / 50p / 30p / 25p) / 1280 x 720 (30p / 25p)
Recording System
Location information Link from smartphone
Yes
VIDEO RESOLUTION
3840 x 2160 (15p / 12.5p) / 1920 x 1080 (60p / 50p / 30p / 25p) / 1280 x 720 (30p / 25p)
AUDIO DATA FORMAT
LPCM 2 ch (16 bit 48 kHz)
AUDIO DATA FORMAT
LPCM 2 ch (16 bit 48 kHz)
VIDEO DATA FORMAT
MJPEG, YUV420
Media
SD memory card, SDHC memory card (UHS-I / II compliant), SDXC memory card (UHS-I / II compliant), CFexpress Type A memory card
SIMULTANEOUS INTERNAL RECORDING
Yes
SIMULTANEOUS INTERNAL RECORDING
Yes
VIDEO RESOLUTION
3840 x 2160 (15p / 12.5p) / 1920 x 1080 (60p / 50p / 30p / 25p) / 1280 x 720 (30p / 25p)
Memory Card Slot
SLOT1: Multi slot for SD (UHS-I / II compliant) memory card / CFexpress Type A card, SLOT2: Slot for SD (UHS-I / II compliant) memory card
AUDIO DATA FORMAT
LPCM 2 ch (16 bit 48 kHz)
Recording mode on 2 memory cards
Simult. Rec, Sort, Auto Switch Media, Copy
Location information Link from smartphone
Yes
SIMULTANEOUS INTERNAL RECORDING
Yes
Location information Link from smartphone
Yes
Noise reduction
Noise Reduction
Long exposure NR: On / Off, available at shutter speeds longer than 1 s, High ISO NR: Normal / Low / Off
Media
SD memory card, SDHC memory card (UHS-I / II compliant), SDXC memory card (UHS-I / II compliant), CFexpress Type A memory card
Media
SD memory card, SDHC memory card (UHS-I / II compliant), SDXC memory card (UHS-I / II compliant), CFexpress Type A memory card
Memory Card Slot
SLOT1: Multi slot for SD (UHS-I / II compliant) memory card / CFexpress Type A card, SLOT2: Slot for SD (UHS-I / II compliant) memory card
Memory Card Slot
SLOT1: Multi slot for SD (UHS-I / II compliant) memory card / CFexpress Type A card, SLOT2: Slot for SD (UHS-I / II compliant) memory card
Location information Link from smartphone
Yes
Recording mode on 2 memory cards
Simult. Rec, Sort, Auto Switch Media, Copy
White Balance
White Balance Modes
Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900 K) & color filter / Custom
Media
SD memory card, SDHC memory card (UHS-I / II compliant), SDXC memory card (UHS-I / II compliant), CFexpress Type A memory card
Recording mode on 2 memory cards
Simult. Rec, Sort, Auto Switch Media, Copy
SHUTTER AWB LOCK
Yes (Shut. Halfway Down / Cont. Shooting / Off)
Memory Card Slot
SLOT1: Multi slot for SD (UHS-I / II compliant) memory card / CFexpress Type A card, SLOT2: Slot for SD (UHS-I / II compliant) memory card
Noise Reduction
Long exposure NR: On / Off, available at shutter speeds longer than 1 s, High ISO NR: Normal / Low / Off
Recording mode on 2 memory cards
Simult. Rec, Sort, Auto Switch Media, Copy
Noise Reduction
Long exposure NR: On / Off, available at shutter speeds longer than 1 s, High ISO NR: Normal / Low / Off
Focus
Focus Type
Fast Hybrid AF (phase-detection AF / contrast-detection AF)
White Balance Modes
Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900 K) & color filter / Custom
Noise Reduction
Long exposure NR: On / Off, available at shutter speeds longer than 1 s, High ISO NR: Normal / Low / Off
Focus Sensor
Exmor R CMOS sensor
White Balance Modes
Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900 K) & color filter / Custom
SHUTTER AWB LOCK
Yes (Shut. Halfway Down / Cont. Shooting / Off)
Focus Point
35 mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 713 points (phase-detection AF), with APS-C lens: 575 points (phase-detection AF) / 425 points (contrast-detection AF)
SHUTTER AWB LOCK
Yes (Shut. Halfway Down / Cont. Shooting / Off)
White Balance Modes
Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900 K) & color filter / Custom
Focus Sensitivity Range
EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached)
SHUTTER AWB LOCK
Yes (Shut. Halfway Down / Cont. Shooting / Off)
Focus Type
Fast Hybrid AF (phase-detection AF / contrast-detection AF)
Focus Mode
AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
Focus Type
Fast Hybrid AF (phase-detection AF / contrast-detection AF)
Focus Sensor
Exmor R CMOS sensor
Focus Area
Wide / Zone / Center Fix / Spot / Expand Spot / Tracking
Focus Sensor
Exmor R CMOS sensor
Focus Type
Fast Hybrid AF (phase-detection AF / contrast-detection AF)
Focus Point
35 mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 713 points (phase-detection AF), with APS-C lens: 575 points (phase-detection AF) / 425 points (contrast-detection AF)
EYE AF / SUBJECT RECOGNITION AF
[Still images] Human (Right / Left Eye Select) / Animal (Right / Left Eye Select) / Bird, [Movie] Human (Right / Left Eye Select) / Animal (Right / Left Eye Select) / Bird
Focus Point
35 mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 713 points (phase-detection AF), with APS-C lens: 575 points (phase-detection AF) / 425 points (contrast-detection AF)
Focus Sensitivity Range
EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached)
Other Features
Predictive control, Focus lock, AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V / H AF Area, AF Area Regist., Circ. of Focus Point, Focus Map (Movie), AF Assist (Movie)
Focus Sensor
Exmor R CMOS sensor
Focus Sensitivity Range
EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached)
AF Illuminator
Yes (with Built-in LED type)
Focus Point
35 mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 713 points (phase-detection AF), with APS-C lens: 575 points (phase-detection AF) / 425 points (contrast-detection AF)
Focus Mode
AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
Focus Mode
AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
Focus Sensitivity Range
EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached)
AF Illuminator range
Approx. 0.3 m - approx. 3.0 m (with FE 28-70 mm F3.5-5.6 OSS lens attached)
Focus Area
Wide / Zone / Center Fix / Spot / Expand Spot / Tracking
Focus Area
Wide / Zone / Center Fix / Spot / Expand Spot / Tracking
EYE AF
[Still images] Human (Right / Left Eye Select) / Animal (Right / Left Eye Select) / Bird, [Movie] Human (Right / Left Eye Select) / Animal (Right / Left Eye Select) / Bird
Focus Mode
AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
Focus type with LA-EA3 (Sold separately)
Phase-detection
EYE AF
[Still images] Human (Right / Left Eye Select) / Animal (Right / Left Eye Select) / Bird, [Movie] Human (Right / Left Eye Select) / Animal (Right / Left Eye Select) / Bird
Focus Area
Wide / Zone / Center Fix / Spot / Expand Spot / Tracking
Other Features
Predictive control, Focus lock, AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V / H AF Area, AF Area Regist., Circ. of Focus Point, Focus Map (Movie), AF Assist (Movie)
Other Features
Predictive control, Focus lock, AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V / H AF Area, AF Area Regist., Circ. of Focus Point, Focus Map (Movie), AF Assist (Movie)
AF Illuminator
Yes (with Built-in LED type)
EYE AF / SUBJECT RECOGNITION AF
[Still images] Human (Right / Left Eye Select) / Animal (Right / Left Eye Select) / Bird, [Movie] Human (Right / Left Eye Select) / Animal (Right / Left Eye Select) / Bird
AF Illuminator
Yes (with Built-in LED type)
Exposure
Metering Sensor
Exmor R CMOS sensor
Other Features
Predictive control, Focus lock, AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V / H AF Area, AF Area Regist., Circ. of Focus Point, Focus Map (Movie), AF Assist (Movie)
AF Illuminator range
Approx. 0.3 m - approx. 3.0 m (with FE 28-70 mm F3.5-5.6 OSS lens attached)
Metering Sensitivity
EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)
AF Illuminator range
Approx. 0.3 m - approx. 3.0 m (with FE 28-70 mm F3.5-5.6 OSS lens attached)
Metering Mode
Multi-segment, Center-weighted, Spot (Standard / Large), Entire Screen Avg., Highlight
Focus type with LA-EA3 (Sold separately)
Phase-detection
Focus type with LA-EA3 (Sold separately)
Phase-detection
AF Illuminator
Yes (with Built-in LED type)
AF Illuminator range
Approx. 0.3 m - approx. 3.0 m (with FE 28-70 mm F3.5-5.6 OSS lens attached)
Exposure Compensation
+ / - 5.0 EV (1 / 3 EV, 1 / 2 EV steps selectable)
Focus type with LA-EA3 (Sold separately)
Phase-detection
Exposure Bracketing
Bracket: Cont., Bracket: Single, 3 / 5 / 9 frames selectable. (Ambient light, Flash light)
Metering Type
1200-zone evaluative metering
Metering Type
1200-zone evaluative metering
Metering Sensor
Exmor R CMOS sensor
AE Lock
Locked when shutter button is pressed halfway. Available with AE lock button. (On / Off / Auto)
Metering Sensor
Exmor R CMOS sensor
Metering Sensor
Exmor R CMOS sensor
Metering Sensitivity
EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)
Exposure Modes
[Still images] Intelligent Auto (Auto) / Program Auto (P) / Aperture Priority (A) / Shutter Priority (S) / Manual Exposure (M), [Movie] Intelligent Auto (Auto) / Program Auto (P) / Aperture Priority (A) / Shutter Priority (S) / Manual Exposure (M) / Flexible Exp. Mode, [Slow & Quick Motion] Intelligent Auto (Auto) / Program Auto (P) / Aperture Priority (A) / Shutter Priority (S) / Manual Exposure (M) / Flexible Exp. Mode
Metering Sensitivity
EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)
Metering Mode
Multi-segment, Center-weighted, Spot (Standard / Large), Entire Screen Avg., Highlight
Metering Mode
Multi-segment, Center-weighted, Spot (Standard / Large), Entire Screen Avg., Highlight
Metering Sensitivity
EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)
ISO Sensitivity
Still images: ISO 100-51200 (ISO numbers from 50 to 204800 can be set as expanded ISO), AUTO (ISO 100-12800, selectable lower limit and upper limit), Movies: ISO 100-51200 equivalent (ISO numbers up to 102400 can be set as expanded ISO), AUTO (ISO 100-12800, selectable lower limit and upper limit)
Anti-flicker Shoot.
Yes
Exposure Compensation
+ / - 5.0 EV (1 / 3 EV, 1 / 2 EV steps selectable)
Exposure Compensation
+ / - 5.0 EV (1 / 3 EV, 1 / 2 EV steps selectable)
Metering Mode
Multi-segment, Center-weighted, Spot (Standard / Large), Entire Screen Avg., Highlight
Exposure Bracketing
Bracket: Cont., Bracket: Single, 3 / 5 / 9 frames selectable. (Ambient light, Flash light)
Scene Selection
-
Exposure Compensation
+ / - 5.0 EV (1 / 3 EV, 1 / 2 EV steps selectable)
Exposure Bracketing
Bracket: Cont., Bracket: Single, 3 / 5 / 9 frames selectable. (Ambient light, Flash light)
Exposure Bracketing
Bracket: Cont., Bracket: Single, 3 / 5 / 9 frames selectable. (Ambient light, Flash light)
AE Lock
Locked when shutter button is pressed halfway. Available with AE lock button. (On / Off / Auto)
AE Lock
Locked when shutter button is pressed halfway. Available with AE lock button. (On / Off / Auto)
Exposure Modes
[Still images] Intelligent Auto (Auto) / Program Auto (P) / Aperture Priority (A) / Shutter Priority (S) / Manual Exposure (M), [Movie] Intelligent Auto (Auto) / Program Auto (P) / Aperture Priority (A) / Shutter Priority (S) / Manual Exposure (M) / Flexible Exp. Mode, [Slow & Quick Motion] Intelligent Auto (Auto) / Program Auto (P) / Aperture Priority (A) / Shutter Priority (S) / Manual Exposure (M) / Flexible Exp. Mode
Metering Type
1200-zone evaluative metering
AE Lock
Locked when shutter button is pressed halfway. Available with AE lock button. (On / Off / Auto)
Exposure Modes
[Still images] Intelligent Auto (Auto) / Program Auto (P) / Aperture Priority (A) / Shutter Priority (S) / Manual Exposure (M), [Movie] Intelligent Auto (Auto) / Program Auto (P) / Aperture Priority (A) / Shutter Priority (S) / Manual Exposure (M) / Flexible Exp. Mode, [Slow & Quick Motion] Intelligent Auto (Auto) / Program Auto (P) / Aperture Priority (A) / Shutter Priority (S) / Manual Exposure (M) / Flexible Exp. Mode
ISO Sensitivity (Recommended Exposure Index)
Still images: ISO 100-51200 (ISO numbers from 50 to 204800 can be set as expanded ISO), AUTO (ISO 100-12800, selectable lower limit and upper limit), Movies: ISO 100-51200 equivalent (ISO numbers up to 102400 can be set as expanded ISO), AUTO (ISO 100-12800, selectable lower limit and upper limit)
Exposure Modes
[Still images] Intelligent Auto (Auto) / Program Auto (P) / Aperture Priority (A) / Shutter Priority (S) / Manual Exposure (M), [Movie] Intelligent Auto (Auto) / Program Auto (P) / Aperture Priority (A) / Shutter Priority (S) / Manual Exposure (M) / Flexible Exp. Mode, [Slow & Quick Motion] Intelligent Auto (Auto) / Program Auto (P) / Aperture Priority (A) / Shutter Priority (S) / Manual Exposure (M) / Flexible Exp. Mode
ISO Sensitivity (Recommended Exposure Index)
Still images: ISO 100-51200 (ISO numbers from 50 to 204800 can be set as expanded ISO), AUTO (ISO 100-12800, selectable lower limit and upper limit), Movies: ISO 100-51200 equivalent (ISO numbers up to 102400 can be set as expanded ISO), AUTO (ISO 100-12800, selectable lower limit and upper limit)
ISO Sensitivity
Still images: ISO 100-51200 (ISO numbers from 50 to 204800 can be set as expanded ISO), AUTO (ISO 100-12800, selectable lower limit and upper limit), Movies: ISO 100-51200 equivalent (ISO numbers up to 102400 can be set as expanded ISO), AUTO (ISO 100-12800, selectable lower limit and upper limit)
Anti-flicker Shoot.
Yes
Viewfinder
Viewfinder Type
1.3 cm (0.5 type) electronic viewfinder (Quad-VGA OLED)
Anti-flicker Shoot.
Yes
Anti-flicker Shoot.
Yes
Number of Dots
3 686 400 dots
Scene Selection
-
Scene Selection
-
Scene Selection
-
Field Coverage
100%
Viewfinder Type
1.3 cm (0.5 type) electronic viewfinder (Quad-VGA OLED)
Magnification
Approx. 0.78x (with 50 mm lens at infinity, -1m<sup>-1< / sup>)
Viewfinder Type
1.3 cm (0.5 type) electronic viewfinder (Quad-VGA OLED)
Dioptre Adjustment
-4.0 to +3.0 m<sup>-1< / sup>
Number of Dots
3 686 400 dots
Number of Dots
3 686 400 dots
Metering Type
1200-zone evaluative metering
Field Coverage
100%
Eye Point
Approx. 23 mm from the eyepiece lens, 18.5 mm from the eyepiece frame at -1m<sup>-1< / sup> (CIPA standard)
Field Coverage
100%
Magnification
Approx. 0.78x (with 50 mm lens at infinity, -1m<sup>-1< / sup>)
Viewfinder Type
1.3 cm (0.5 type) electronic viewfinder (Quad-VGA OLED)
Magnification
Approx. 0.78x (with 50 mm lens at infinity, -1m<sup>-1< / sup>)
DISPLAY FUNCTION
Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emphasized display during REC
Dioptre Adjustment
-4.0 to +3.0 m<sup>-1< / sup>
Dioptre Adjustment
-4.0 to +3.0 m<sup>-1< / sup>
Number of Dots
3 686 400 dots
Finder Frame Rate Selection
STD 60 fps / HI 120 fps
Eye Point
Approx. 23 mm from the eyepiece lens, 18.5 mm from the eyepiece frame at -1m<sup>-1< / sup> (CIPA standard)
Field Coverage
100%
Eye Point
Approx. 23 mm from the eyepiece lens, 18.5 mm from the eyepiece frame at -1m<sup>-1< / sup> (CIPA standard)
DISPLAY FUNCTION
Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emphasized display during REC
Magnification
Approx. 0.78x (with 50 mm lens at infinity, -1m<sup>-1< / sup>)
DISPLAY FUNCTION
Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emphasized display during REC
LCD Screen
Monitor Type
7.5 cm (3.0-type) type TFT
Dioptre Adjustment
-4.0 to +3.0 m<sup>-1< / sup>
Number of Dots
1 036 800 dots
Finder Frame Rate Selection
STD 60 fps / HI 120 fps
Finder Frame Rate Selection
STD 60 fps / HI 120 fps
Eye Point
Approx. 23 mm from the eyepiece lens, 18.5 mm from the eyepiece frame at -1m<sup>-1< / sup> (CIPA standard)
Touch Panel
Yes
Brightness Control
Manual (5 steps between -2 and +2), Sunny Weather mode
DISPLAY FUNCTION
Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emphasized display during REC
Monitor Type
7.5 cm (3.0-type) type TFT
Monitor Type
7.5 cm (3.0-type) type TFT
Number of Dots
1 036 800 dots
Adjustable Angle
Opening Angle: Approx. 176 °., Rotation Angle: Approx. 270 °.
Finder Frame Rate Selection
STD 60 fps / HI 120 fps
Number of Dots
1 036 800 dots
Touch Panel
Yes
Touch Panel
Yes
Focus Magnifier
Yes, Focus Magnifier (35 mm full frame: 5.5x / 11.0x, APS-C: 3.7x / 7.3x)
Monitor Type
7.5 cm (3.0-type) type TFT
Brightness Control
Manual (5 steps between -2 and +2), Sunny Weather mode
Brightness Control
Manual (5 steps between -2 and +2), Sunny Weather mode
Number of Dots
1 036 800 dots
PlayMemories Camera Apps™
-
Adjustable Angle
Opening Angle: Approx. 176 °., Rotation Angle: Approx. 270 °.
Adjustable Angle
Opening Angle: Approx. 176 °., Rotation Angle: Approx. 270 °.
Focus Magnifier
Yes, Focus Magnifier (35 mm full frame: 5.5x / 11.0x, APS-C: 3.7x / 7.3x)
Touch Panel
Yes
Focus Magnifier
Yes, Focus Magnifier (35 mm full frame: 5.5x / 11.0x, APS-C: 3.7x / 7.3x)
Clear Image Zoom
Still images: Approx. 2x, Movies: Approx. 1.5x (4K), Approx. 2x (HD)
Face Detection
Modes: Face / Eye Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority
Brightness Control
Manual (5 steps between -2 and +2), Sunny Weather mode
Self-Portrait Self-timer
-
PlayMemories Camera Apps™
-
PlayMemories Camera Apps™
-
Adjustable Angle
Opening Angle: Approx. 176 °., Rotation Angle: Approx. 270 °.
Others
-
Focus Magnifier
Yes, Focus Magnifier (35 mm full frame: 5.5x / 11.0x, APS-C: 3.7x / 7.3x)
Clear Image Zoom
Still images: Approx. 2x, Movies: Approx. 1.5x (4K), Approx. 2x (HD)
Clear Image Zoom
Still images: Approx. 2x, Movies: Approx. 1.5x (4K), Approx. 2x (HD)
Face Detection
Modes: Face / Eye Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority
Face Detection
Modes: Face / Eye Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority
Shutter
Type
Electronically-controlled, vertical-traverse, focal-plane type
PlayMemories Camera Apps™
-
Self-Portrait Self-timer
-
Self-Portrait Self-timer
-
Clear Image Zoom
Still images: Approx. 2x, Movies: Approx. 1.5x (4K), Approx. 2x (HD)
Others
-
Others
-
Shutter Type
Mechanical shutter / Electronic shutter
Face Detection
Modes: Face / Eye Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority
Shutter Speed
Still images: 1 / 8000 to 30 s, Bulb, Movies (NTSC mode): 1 / 8000 to 1 / 4 (1 / 3 steps), up to 1 / 60 in AUTO mode (up to 1 / 30 in Auto slow shutter mode), Movies (PAL mode): 1 / 8000 to 1 / 4 (1 / 3 steps), up to 1 / 50 in AUTO mode (up to 1 / 25 in Auto slow shutter mode)
Type
Electronically-controlled, vertical-traverse, focal-plane type
Type
Electronically-controlled, vertical-traverse, focal-plane type
Self-Portrait Self-timer
-
Flash Sync. Speed
1 / 250 s (35 mm full frame), 1 / 320 s (APS-C)
Others
-
Shutter Type
Mechanical shutter / Electronic shutter
Electronic Front Curtain Shutter
Yes (ON / OFF)
Shutter Type
Mechanical shutter / Electronic shutter
Silent Shooting
Yes (ON / OFF)
Shutter Speed
Still images: 1 / 8000 to 30 s, Bulb, Movies (NTSC mode): 1 / 8000 to 1 / 4 (1 / 3 steps), up to 1 / 60 in AUTO mode (up to 1 / 30 in Auto slow shutter mode), Movies (PAL mode): 1 / 8000 to 1 / 4 (1 / 3 steps), up to 1 / 50 in AUTO mode (up to 1 / 25 in Auto slow shutter mode)
Shutter Speed
Still images: 1 / 8000 to 30 s, Bulb, Movies (NTSC mode): 1 / 8000 to 1 / 4 (1 / 3 steps), up to 1 / 60 in AUTO mode (up to 1 / 30 in Auto slow shutter mode), Movies (PAL mode): 1 / 8000 to 1 / 4 (1 / 3 steps), up to 1 / 50 in AUTO mode (up to 1 / 25 in Auto slow shutter mode)
Type
Electronically-controlled, vertical-traverse, focal-plane type
Flash Sync. Speed
1 / 250 s (35 mm full frame), 1 / 320 s (APS-C)
Flash Sync. Speed
1 / 250 s (35 mm full frame), 1 / 320 s (APS-C)
Electronic Front Curtain Shutter
Yes (ON / OFF)
Electronic Front Curtain Shutter
Yes (ON / OFF)
Image Stabilization
Type
Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
Shutter Type
Mechanical shutter / Electronic shutter
Silent Shooting
Yes (ON / OFF)
Compensation Effect
5.5 stops (based on CIPA standard. Pitch / yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted. Long exposure NR off.)
Shutter Speed
Still images: 1 / 8000 to 30 s, Bulb, Movies (NTSC mode): 1 / 8000 to 1 / 4 (1 / 3 steps), up to 1 / 60 in AUTO mode (up to 1 / 30 in Auto slow shutter mode), Movies (PAL mode): 1 / 8000 to 1 / 4 (1 / 3 steps), up to 1 / 50 in AUTO mode (up to 1 / 25 in Auto slow shutter mode)
Silent Shooting
Yes (ON / OFF)
Flash Sync. Speed
1 / 250 s (35 mm full frame), 1 / 320 s (APS-C)
Type
Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
Electronic Front Curtain Shutter
Yes (ON / OFF)
Flash Control
Control
Pre-flash TTL
Type
Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
Compensation Effect
5.5 stops (based on CIPA standard. Pitch / yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted. Long exposure NR off.)
Silent Shooting
Yes (ON / OFF)
Compensation Effect
5.5 stops (based on CIPA standard. Pitch / yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted. Long exposure NR off.)
Flash Compensation
+ / - 3.0 EV (switchable between 1 / 3 and 1 / 2 EV steps)
Flash Modes
Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on / off selectable), Wireless, Hi-speed sync.
Control
Pre-flash TTL
Type
Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
Control
Pre-flash TTL
Recycling Time
-
External Flash Compatibility
Sony a System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe
Compensation Effect
5.5 stops (based on CIPA standard. Pitch / yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted. Long exposure NR off.)
Flash Compensation
+ / - 3.0 EV (switchable between 1 / 3 and 1 / 2 EV steps)
Flash Compensation
+ / - 3.0 EV (switchable between 1 / 3 and 1 / 2 EV steps)
Flash Modes
Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on / off selectable), Wireless, Hi-speed sync.
FE Level Lock
Yes
Flash Modes
Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on / off selectable), Wireless, Hi-speed sync.
Control
Pre-flash TTL
Recycling Time
-
Recycling Time
-
Wireless Control
Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)
External Flash Compatibility
Sony a System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe
External Flash Compatibility
Sony a System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe
Flash Compensation
+ / - 3.0 EV (switchable between 1 / 3 and 1 / 2 EV steps)
FE Level Lock
Yes
Drive
Drive Modes
Single Shooting, Continuous shooting (Hi+ / Hi / Mid / Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket
FE Level Lock
Yes
Flash Modes
Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on / off selectable), Wireless, Hi-speed sync.
Wireless Control
Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)
Wireless Control
Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)
Recycling Time
-
Continuous Drive Speed (approx. max.)
Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps
External Flash Compatibility
Sony a System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe
No. of recordable frames (approx.)
JPEG Extra fine L: over 1000 frames, JPEG Fine L: over 1000 frames, JPEG Standard L: over 1000 frames, RAW: over 1000 frames, RAW & JPEG: over 1000 frames, RAW (Lossless Compressed): over 1000 frames, RAW (Lossless Compressed) & JPEG: over 1000 frames, RAW (Uncompressed): over 1000 frames, RAW (Uncompressed) & JPEG: 828 frames
Self-Timer
10 s delay / 5 s delay / 2 s delay / Continuous self-time / Bracketing self-timer
Drive Modes
Single Shooting, Continuous shooting (Hi+ / Hi / Mid / Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket
Drive Modes
Single Shooting, Continuous shooting (Hi+ / Hi / Mid / Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket
FE Level Lock
Yes
Continuous Drive Speed (approx. max.)
Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps
Wireless Control
Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)
Continuous Drive Speed (approx. max.)
Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps
Pixel Shift Multi Shooting
-
No. of recordable frames (approx.)
JPEG Extra fine L: over 1000 frames, JPEG Fine L: over 1000 frames, JPEG Standard L: over 1000 frames, RAW: over 1000 frames, RAW & JPEG: over 1000 frames, RAW (Lossless Compressed): over 1000 frames, RAW (Lossless Compressed) & JPEG: over 1000 frames, RAW (Uncompressed): over 1000 frames, RAW (Uncompressed) & JPEG: 828 frames
No. of recordable frames (approx.)
JPEG Extra fine L: over 1000 frames, JPEG Fine L: over 1000 frames, JPEG Standard L: over 1000 frames, RAW: over 1000 frames, RAW & JPEG: over 1000 frames, RAW (Lossless Compressed): over 1000 frames, RAW (Lossless Compressed) & JPEG: over 1000 frames, RAW (Uncompressed): over 1000 frames, RAW (Uncompressed) & JPEG: 828 frames
Self-Timer
10 s delay / 5 s delay / 2 s delay / Continuous self-time / Bracketing self-timer
Self-Timer
10 s delay / 5 s delay / 2 s delay / Continuous self-time / Bracketing self-timer
Drive Modes
Single Shooting, Continuous shooting (Hi+ / Hi / Mid / Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket
Playback
Photo Capture
Yes
Pixel Shift Multi Shooting
-
Continuous Drive Speed (approx. max.)
Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps
Pixel Shift Multi Shooting
-
No. of recordable frames (approx.)
JPEG Extra fine L: over 1000 frames, JPEG Fine L: over 1000 frames, JPEG Standard L: over 1000 frames, RAW: over 1000 frames, RAW & JPEG: over 1000 frames, RAW (Lossless Compressed): over 1000 frames, RAW (Lossless Compressed) & JPEG: over 1000 frames, RAW (Uncompressed): over 1000 frames, RAW (Uncompressed) & JPEG: 828 frames
Print
Compatible Standards
Exif Print, Print Image Matching III
Self-Timer
10 s delay / 5 s delay / 2 s delay / Continuous self-time / Bracketing self-timer
Photo Capture
Yes
Photo Capture
Yes
Pixel Shift Multi Shooting
-
Custom function
Type
Custom key settings, My Menu, My Dial Settings, Reg Cust Shoot Set, Programmable Setting (Body 9 sets / memory card 12 sets)
Interface
PC Interface
Mass-storage / MTP
PC Interface
Mass-storage / MTP
Lens Compensation
Setting
Peripheral Shading, Chromatic Aberration, Distortion, Breathing (Movie)
Photo Capture
Yes
Multi / Micro USB Terminal
Yes
Multi / Micro USB Terminal
Yes
Bluetooth
Yes (Bluetooth Standard Ver. 4.1 (2.4 GHz band))
Bluetooth
Yes (Bluetooth Standard Ver. 4.1 (2.4 GHz band))
Multi Interface Shoe
Yes (with Digital Audio Interface)
Multi Interface Shoe
Yes (with Digital Audio Interface)
Compatible Standards
Exif Print, Print Image Matching III
PC Interface
Mass-storage / MTP
Mic Terminal
Yes (3.5 mm Stereo minijack)
Mic Terminal
Yes (3.5 mm Stereo minijack)
Multi / Micro USB Terminal
Yes
Sync Terminal
-
Bluetooth
Yes (Bluetooth Standard Ver. 4.1 (2.4 GHz band))
Type
Custom key settings, My Menu, My Dial Settings, Reg Cust Shoot Set, Programmable Setting (Body 9 sets / memory card 12 sets)
Sync Terminal
-
Headphone Terminal
Yes (3.5 mm Stereo minijack)
Multi Interface Shoe
Yes (with Digital Audio Interface)
Headphone Terminal
Yes (3.5 mm Stereo minijack)
Setting
Peripheral Shading, Chromatic Aberration, Distortion, Breathing (Movie)
Vertical Grip Connector
Yes
Mic Terminal
Yes (3.5 mm Stereo minijack)
Vertical Grip Connector
Yes
LAN Terminal
-
LAN Terminal
-
Sync Terminal
-
FUNCTIONS
FTP Transfer Func. (Wired LAN(USB-LAN), USB Tethering, Wi-Fi), View on Smartphone, Remote control via Smartphone, PC Remote, BRAVIA Sync (Control for HDMI), PhotoTV HD
PC Interface
Mass-storage / MTP
Headphone Terminal
Yes (3.5 mm Stereo minijack)
FUNCTIONS
FTP Transfer Func. (Wired LAN(USB-LAN), USB Tethering, Wi-Fi), View on Smartphone, Remote control via Smartphone, PC Remote, BRAVIA Sync (Control for HDMI), PhotoTV HD
Multi / Micro USB Terminal
Yes
Vertical Grip Connector
Yes
Bluetooth
Yes (Bluetooth Standard Ver. 4.1 (2.4 GHz band))
Audio
Microphone
Built-in, stereo
LAN Terminal
-
Microphone
Built-in, stereo
Speaker
Built-in, monaural
Speaker
Built-in, monaural
Multi Interface Shoe
Yes (with Digital Audio Interface)
FUNCTIONS
FTP Transfer Func. (Wired LAN(USB-LAN), USB Tethering, Wi-Fi), View on Smartphone, Remote control via Smartphone, PC Remote, BRAVIA Sync (Control for HDMI), PhotoTV HD
Mic Terminal
Yes (3.5 mm Stereo minijack)
Size & Weight
Weight (with battery and memory card included)
Approx. 658 g (approx. 1 lb 7.3 oz)
Sync Terminal
-
Compatible Standards
Exif Print, Print Image Matching III
Compatible Standards
Exif Print, Print Image Matching III
Dimensions (W x H x D)
Approx. 131.3 mm x 96.4 mm x 79.8 mm, approx. 131.3 mm x 96.4 mm x 69.7 mm (From grip to monitor) (approx. 5 1 / 4 x 3 7 / 8 x 3 1 / 4 inches, approx. 5 1 / 4 x 3 7 / 8 x 2 3 / 4 inches (From grip to monitor))
Headphone Terminal
Yes (3.5 mm Stereo minijack)
Type
Custom key settings, My Menu, My Dial Settings, Reg Cust Shoot Set, Programmable Setting (Body 9 sets / memory card 12 sets)
Vertical Grip Connector
Yes
Type
Custom key settings, My Menu, My Dial Settings, Reg Cust Shoot Set, Programmable Setting (Body 9 sets / memory card 12 sets)
LAN Terminal
-
Microphone
Built-in, stereo
Setting
Peripheral Shading, Chromatic Aberration, Distortion, Breathing (Movie)
Speaker
Built-in, monaural
Setting
Peripheral Shading, Chromatic Aberration, Distortion, Breathing (Movie)
FUNCTIONS
FTP Transfer Func. (Wired LAN(USB-LAN), USB Tethering, Wi-Fi), View on Smartphone, Remote control via Smartphone, PC Remote, BRAVIA Sync (Control for HDMI), PhotoTV HD
Weight (with battery and memory card included)
Approx. 658 g (approx. 1 lb 7.3 oz)
Power
Supplied battery
One rechargeable battery pack NP-FZ100
Supplied battery
One rechargeable battery pack NP-FZ100
Internal Battery Charge
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Internal Battery Charge
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Dimensions (W x H x D)
Approx. 131.3 mm x 96.4 mm x 79.8 mm, approx. 131.3 mm x 96.4 mm x 69.7 mm (From grip to monitor) (approx. 5 1 / 4 x 3 7 / 8 x 3 1 / 4 inches, approx. 5 1 / 4 x 3 7 / 8 x 2 3 / 4 inches (From grip to monitor))
USB Power supply
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
USB Power supply
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Microphone
Built-in, stereo
Speaker
Built-in, monaural
Operating Temperature
0 - 40 ? / 32 - 104 °F
Operating Temperature
0 - 40 ? / 32 - 104 °F
Weight (with battery and memory card included)
Approx. 658 g (approx. 1 lb 7.3 oz)
Supplied battery
One rechargeable battery pack NP-FZ100
Weight (with battery and memory card included)
Approx. 658 g (approx. 1 lb 7.3 oz)
Dimensions (W x H x D)
Approx. 131.3 mm x 96.4 mm x 79.8 mm, approx. 131.3 mm x 96.4 mm x 69.7 mm (From grip to monitor) (approx. 5 1 / 4 x 3 7 / 8 x 3 1 / 4 inches, approx. 5 1 / 4 x 3 7 / 8 x 2 3 / 4 inches (From grip to monitor))
Internal Battery Charge
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Dimensions (W x H x D)
Approx. 131.3 mm x 96.4 mm x 79.8 mm, approx. 131.3 mm x 96.4 mm x 69.7 mm (From grip to monitor) (approx. 5 1 / 4 x 3 7 / 8 x 3 1 / 4 inches, approx. 5 1 / 4 x 3 7 / 8 x 2 3 / 4 inches (From grip to monitor))
USB Power supply
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Operating Temperature
0 - 40 ? / 32 - 104 °F